Access Denied? Public Scholarship and the peril of being a woman

Social media and web 2.0 have presented exciting new possibilities for sharing research with the world. While our research in the academy is often confined to discipline specific conferences and academic journals, stuck behind paywalls and accessible only to others in the academic community, self publishing our work on blogs, twitter, facebook, or other platforms allows researchers to communicate their work to a broad audience.

This trend is exciting. As you can see on this blog, I can, with no intermediary, share in plain language, why I think my research is important. People can access my work from around the world, and we can engage in debate or take research in new directions. Furthermore, it’s in the interests of society as a whole. As an academic, my work is at least in part funded by tax dollars. Thus it can be argued that I have an obligation to make my work available and accessible to the public who helps to fund my work.

With these social and scholarly benefits, it’s no wonder that many are advocating that all academics turn to social media platforms to share their research. Unfortunately, however, the question of whether or not to discuss your work in public online is neither simple nor straightforward for many women and people from marginalized populations – particularly those who work in critical gender and race studies, game studies and STEM.

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Access Denied? Public Scholarship and the peril of being a woman

Never Gonna Give You Up: Creating a Musical Experience in a Digital Age

The music industry has been feeling the curse of digital communication technologies as a result of music streaming services such as Spotify (or even YouTube, which is a popular way of accessing music, with or without video). Streaming services pay very little – fractions of pennies, in fact, back to the musician when songs are played. And this year, the closure of HMV has shown us that there is no longer a market for physical recorded music. In fact, even the purchase of individual songs on iTunes has become less relevant as a result of streaming. In my private sector consulting work, I often coach independent musicians about how they might survive, and even thrive in a world where they cannot make money from their original product, and I think we can draw inspiration from this in the most unlikely of places: Tough Mudder – a fitness brand that is optimized for the digital age.

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Never Gonna Give You Up: Creating a Musical Experience in a Digital Age

Yellow is the New Black

I’ve been thinking a great deal lately about social media as a source of news, and how we are currently experiencing parallels with yellow journalism. I think that if we can identify similarities with our current media environment, and the rise and management of yellow journalism during the Hearst/yellow journalismPulitzer years, we may be in a better position to brainstorm meaningful solutions to the fake news challenges that we are seeing today. And there are indeed many parallels to be drawn, so I’ll begin with a few important ones, as I see them:

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Yellow is the New Black

From Print to Digital – Information Overload and Folk Wisdom

Lee Rainie’s Keynote in Image Form from #SMSociety 2017

Last week, I had the great pleasure of presenting my work at the International Conference on Social Media and Society (#SMSociety2017), hosted by the esteemed team at the Social Media Lab at Ryerson University. While in attendance, I listened to a fantastic keynote by Lee Rainie, the director of Internet and Policy Research at the Pew Research Center. His keynote, titled “The Reckoning for Social Media” focused on the research work conducted by the Pew Internet and Technology research center, about how social media have changed the relationship of people to each other and to public institutions. Some of his findings were disheartening such as, for example, recent research that shows that people polled in the US are experiencing declining trust in academic institutions, or that people are becoming more polarized in their political views. Other findings were more hopeful, such as the fact that there is substantial reciprocity across social media platforms.

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From Print to Digital – Information Overload and Folk Wisdom

FakeBook? Facebook’s fight against fake news mostly hot air

Facebook
“Facebook” by Sarah Marshall on Flickr. Available from https://www.flickr.com/photos/sarahmarshall/

A recent  article in Fortune discusses how Facebook, after launching it’s ‘Journalism Project‘ in January 2017 as a way to fight fake news, has just over six months in, released a progress update.

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FakeBook? Facebook’s fight against fake news mostly hot air